Why Seoul Fills with Lanterns Every Spring – Buddha’s Birthday in Korea
⚡ Here’s the Idea
In Korean culture, the tiger has long carried two different feelings at once: fear and familiarity. It appears as a powerful mountain animal, a humorous character in folktales, a symbol of national identity, and a friendly figure in modern Korean culture.
For a long time, the tiger has appeared in Korean culture as both a powerful guardian and a surprisingly humorous figure in old stories. It has also remained one of the most familiar symbols of Korea in art, folklore, and modern culture. Perhaps that is why the tiger in Korea often feels both frightening and strangely close at the same time.
One of the first stories many people think of is the myth of Dangun. In that story, the tiger takes a test together with the bear because both wish to become human. But unlike the bear, the tiger does not endure the test and eventually returns to the mountains.
When we think of a tiger, we usually imagine a strong and brave animal, powerful enough to defeat even a bear. So when the tiger fails the test and goes back to the mountains, the scene can feel a little lonely, and even a bit pitiful.
If you would like to learn more about the Dangun myth itself, you can read the full story in the previous post .
But the tiger’s story does not end in mythology. As time passed, tigers continued to appear in folktales, paintings, and modern media. Sometimes they were shown as terrifying predators, and at other times they appeared as oddly funny and almost human-like characters.
Fig 1. A 1920s illustration depicting the Korean Peninsula in the shape of a tiger, symbolizing national identity.
In the past, Koreans did not always see the tiger as just a wild animal. It was often imagined as the lord of the mountains. That is why the tiger was sometimes called Sangun, meaning “mountain lord.” The name reflected the idea that the tiger was the strongest animal in the mountains.
In some folk beliefs, the tiger was also connected with Sanshin, the mountain spirit. There are also traditions in which people offered food or rituals while praying for safety in the mountains. This does not mean that every Korean region worshiped tigers in the same way, but it shows how special and powerful the animal felt in traditional imagination.
During the Joseon period, tigers really did appear in the mountains, so people both feared and respected them. That is why tigers appear again and again in Korean proverbs and folktales.
In this way, the tiger became a symbol of both power and fear.
Fig 2. A humorous folktale scene where a tiger is frightened by dried persimmons.
But the tiger was not always frightening. In many old Korean stories, it appears as clumsy, foolish, and oddly lovable.
One famous example is “The Tiger Who Feared Dried Persimmons.” A mother tries to scare her crying child by saying, “The tiger is coming,” but the child keeps crying. Then she asks, “Do you want a dried persimmon?” and the child finally stops. The tiger overhears this and mistakenly thinks that dried persimmons must be even scarier than he is, so he runs away.
Thinking about it now, it is such a strange and funny story. And because of that foolish side, the tiger begins to feel much more familiar.
Another well-known story is “The Filial Tiger.” A devoted son is about to be eaten by a tiger, but he cleverly calls the tiger “older brother” and claims they were separated as children. The tiger believes him. After that, the tiger brings game for the mother and son and protects their home.
I remember reading this story often as a child, and it always left me with a warm feeling. In these stories, the tiger is not only a beast. Sometimes it is drawn as warm-hearted and righteous, too.
Fig 3. A traditional Minhwa painting showing a tiger and a magpie with a playful expression.
In traditional Korean folk painting, or Minhwa, tigers are often shown in a much softer and more humorous way. One of the best-known examples is the “Tiger and Magpie” motif, known as Jakhodo. In this type of painting, the tiger is not a fierce predator. Instead, it often has wide eyes and a slightly silly, mischievous expression.
This kind of painting shows how people feared the tiger, but also looked at it with affection and humor. It is the kind of image that somehow feels endearing, with a strange charm of its own.
Many Koreans have seen the Korean Peninsula compared to a “crouching tiger.” If you trace the shape of the peninsula, some people see the head, body, and front legs of a tiger ready to move.
During the Japanese colonial period, an artwork called Geunyeokgangsan Maengho Gisangdo depicted the Korean Peninsula as a giant tiger. Considering the historical context, many people may have looked at this tiger and thought of Korea’s strength and its hope for independence.
As Korea passed through many historical events, the tiger gradually came to be understood as an image connected with Korean identity.
Fig 4. A modern tiger illustration inspired by traditional Korean dancheong colors and patterns.
Today, the tiger continues to appear in modern Korean culture in many different forms. Hodori, the mascot of the 1988 Seoul Olympics, and Soohorang, the white tiger mascot of the 2018 PyeongChang Winter Olympics, are two well-known examples of the tiger as a friendly and approachable symbol.
In recent years, tiger characters have also appeared in films, animations, and digital content. Through these modern works, the tiger can still be brave, foolish, soft, playful, or even cute.
Personally, when I see these modern tiger characters, I feel that the tiger has not disappeared from Korean culture. It has simply changed its shape over time and continued to live on in new forms.
To Koreans, the tiger is not just an animal. It can be a fierce predator, a foolish character afraid of dried persimmons, a righteous figure who protects a family, and an image connected with national identity.
Perhaps this double image is one reason Koreans have loved tigers for such a long time. From ancient myth to today’s character culture, the tiger still remains a living symbol in Korean culture.
The tiger also appears in the Korean zodiac, traditional architecture, clothing decorations, and many other parts of Korean culture. Those stories deserve a closer look another time.
I sometimes wonder if other cultures also have animals that feel both frightening and strangely familiar at the same time.
Q1. Can I still see “Tiger and Magpie” paintings today?
A1. Yes. You can see examples of Jakhodo, or “Tiger and Magpie” paintings, in traditional folk museums and art museums, including places such as the National Folk Museum of Korea in Seoul. In recent years, the motif has also appeared in stationery, posters, and cultural products. Traditionally, the magpie was seen as a bird that brought good news, and the combination of the magpie and tiger has often been understood as a symbol of good fortune and protection.
Q2. Why is the Korean Peninsula compared to a “crouching tiger”?
A2. Many people came to see the Korean Peninsula as a “crouching tiger” partly because of the artwork Geunyeokgangsan Maengho Gisangdo. The image presented the peninsula in the shape of a tiger and offered a different symbolic reading during the colonial period. Over time, it came to be associated with strength and resilience, and it is still sometimes mentioned in education and cultural discussions.
👉 Next story: Where Did the Tiger Go After the Korean Dangun Myth? – From Myth to Proverbs